The average Internet user spends 5.6 hours per day with digital media, says Mary Meeker in her 2015 Internet Trends update.
The Consumer sector has been completely reinvented by the internet, but Education, Healthcare and Government still have a long way to go.
This internal New York Times innovation report from 2014 is an in-depth portrait of an institution struggling to remake its culture for the digital age. Arthur Gregg Sulzberger, the publisher’s son and presumed heir apparent, was the leader of the committee that created it.
In an overview, Nieman Lab’s Joshua Benton noted his impresssion that despite all of its resources, the NYT “doesn’t have the time or power to get outside of the day-to-day grind of making a newspaper to think about its future.”
Sales of music CDs and digital downloads continue to dive, but vinyl LPs surged 40 percent higher in the first half of 2014, according to Nielsen SoundScan. Not that this represents salvation for the music business, struggling with the lower margins of streaming services.
What’s selling? Top albums, as sifted out by Jack McDuling of Quartz, include Jack White’s “Lazaretto,” Arctic Monkeys “AM” and Beck’s “Morning Phase.” (Also in the top 10: The Beatles’ “Abbey Road” and Bob Marley’s “Legend”). Who’s buying? Indie rock fans and “nostalgists,” he concludes.
Detail of graph showing results of study on the changing mood of pop music (WNYC)
The mood of Top 40 pop songs has turned sadder over the past 5 decades, according to a study of tempos and major/minor keys by Glenn Schellenberg, professor of psychology and music at the University of Toronto. His results are charted below by John Keefe of WNYC in New York. Blue indicates songs in minor keys; the left axis marks tempo in beats per minute. [via Studio360]
Borders has gone the way of Tower Records, Hollywood Video, Virgin Megastore, and Blockbuster, but happily,
“the best locally-owned purveyors of physical media seem to be in better shape than the soulless megachains. San Francisco’s Amoeba Music, Le Video, and Green Apple Books, for instance, are sprawling, wonderfully quirky independents that are still very much with us.”
See Harry McCracken’s “Decline and Fall of Physical Media Retailing: A Timeline” in Technologizer (Feb 17, 2011)